#Ali farka toure talking timbuktu rar download#

In truth, Talking Timbuktu resists easy description. On a tune such as 'Soukora,' TourР“В© pours out his heart to his lover, as he and Cooder playfully circle each other with bell-like chords and ornaments that sound like a curtain of electric pearls, while TourР“В©'s more vivid attack on 'Amandral' echoes phrases evocative of John Lee Hooker. Ali Farka TourР“В©'s blissful melodic lines do not adhere to traditional blues form, but rather suggest a kind of pre-blues music of African origins. That's because Talking Timbuktu is an epic cross-cultural super session that captures the deepest spirit of music and transports it across ethnic and stylistic boundaries without demeaning the gift giver or the gift. 'Ai Du' sums out to something not unlike the blues or West African music, but it's something else again: like some pan-ethnic folk music for the 21st century. It's all in there: the droning traditional timbres of Mali in Ali Farka TourР“В©'s guitar the deep, mysterious incantations of the Mississippi Delta blues in Ry Cooder's slide work the soulful backwoods moan of 'Gatemouth' Brown's viola the percolating rhythms of Hamma Sankare and Oumar TourР“В©, and the earthy resonant dance of drummer Jim Keltner and bassist John Patitucci. Buy the album Starting at 13,49РІвЂљВ¬Р”В«y the time your average listeners get around to the slow, elemental backbeat of 'Ai Du,' all of their preconceptions about chickens and eggs, roots and fruits, or bluesmen and griots have been blurred and obscured by the enchanting music that makes up Talking Timbuktu.

#Ali farka toure talking timbuktu rar download#

Toure died in Mali in March 2006 after a long illness.Purchase and download this album in a wide variety of formats depending on your needs. The result is absolutely transfixing music that defies glib categorization. The journey begins with CooderРІР‚в„ўs electric and slide guitars joining two-thirds of Groupe Asko (Hamma Sankare and Oumar Toure), but soon branches out: The heatedly rhythmic РІР‚СљAmandralРІР‚Сњ features drummer Jim Keltner and bassist John Patitucci, while РІР‚СљAi DuРІР‚Сњ finds Texas guitarist Clarence РІР‚СљGatemouthРІР‚Сњ Brown adding (of all things) a searing viola solo. Listen to albums and songs from Ali Farka Toure. Seeds:9 Leech:1 323.16 Mb Ali Farka Toure with Ry Cooder Talking Timbuktu (1994) FLACTalking Timbuktu is the 1994 collaboration between Malian guitarist Ali Farka Tour and American guitarist/producer Ry Cooder. Cooder pulls Toure in a more Eastern, raga-styled direction, turning his perpetually pained voice into a powerful melody instrument. Ali Farka Toure & Ry Cooder - Talking Timbuktu. If prior collaborations demonstrate a certain cautious openness, Talking Timbuktu, with Ry Cooder, shows that Toure can stretch with the best of РІР‚в„ўem. Though it continues ToureРІР‚в„ўs unique conversational approach to the blues, The Source is most notable for the way it challenges the singer to move beyond blues (РІР‚СљHawa DoloРІР‚Сњ) and to eschew simple guitar riffing for more intricate single-note lines (РІР‚СљRouckyРІР‚Сњ). The album also has guest stars - among them, Taj Mahal and tabla master Nitin Sawney. The Source is the first recording to feature ToureРІР‚в„ўs Groupe Asko, which includes hand drums, calabash and vocal chorus.

Still playing largely solo, Toure has help here from members of the Chieftains, whose contributions make РІР‚СљKenounaРІР‚Сњ a multi-culti masterpiece. The first track, РІР‚СљHeygana,РІР‚Сњ is a lilting, prayerful dirge that emulates the steady flow of a river. That same hypnotic quality opens ToureРІР‚в„ўs more expansive 1990 album, The River. The blunt, lonesome vocals echo the plainspoken manner of Delta storytellers, but the forms are less familiar: many of the selections are built on droning single chords that become enchanting through repetition. But when he tackles even traditional 12-bar, his serpentine voice and understated phrasing create a bridge between worlds - linking American blues conventions to their antecedents in African chant and ritual.Р”В«orn in 1939 in Northern Mali, Toure first gained international recognition on the European festival circuit in the late РІР‚в„ў80s but didnРІР‚в„ўt attract US attention until the 1990 release of African Blues - like its eponymous predecessor, a solo acoustic recording. He understands the blues and has listened to John Lee Hooker and Muddy Waters and the whole canon his guitar accompaniments borrow liberally from the folk-blues trickbag. ItРІР‚в„ўs a disservice to write off the Malian guitarist and singer Ali Farka Toure as simply a blues musician who happens to come from Africa.